Área de título y declaración de responsabilidad
Título apropiado
William Sawyer family fonds
Tipo general de material
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Fondo
Institución archivística
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1815-1998 (Creación)
- Creador
- Sawyer, William
Área de descripción física
Descripción física
0.50 m of textual records and other material
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
William Sawyer was born to John and Agnes Brown Sawyer in Montreal, Quebec, November 9, 1820. His academic background is unknown, however it seems likely that he had some form of education given his level of literacy evident in later years. He found his first employment with a Montreal law firm at the age of fourteen. By the early 1840's Sawyer opened a studio in Montreal in the Moyer Building and sought commissions for portraits from the local citizenry. Although business was steady, it was not sufficient for Sawyer who was likely responsible for helping to support his step-mother (Ann Sutherland) and half-sister Elizabeth Sarah. In order to garner more business Sawyer became an itinerant painter travelling the north shore of Lake Ontario, ranging as far west as Toronto, Sawyer stopped at all the major centres in between.
Exhibition and promotion was a necessity for the itinerant painter. Sawyer exhibited at the Montreal Society of Artists in 1847, in the company of Krieghoff and several other artists. In 1867 he exhibited with the Society of Canadian Artists in Montreal, and in 1872 he sent works to the first exhibition of the Ontario Society of Artists at Toronto.
During Sawyer's travels, he met Eliza Jane Baxter in Kingston, whom he married November 18, 1851. With this added financial responsibility, Sawyer continued to travel, occasionally moving further afield. In 1852 Sawyer travelled to New York with his new wife but quickly returned and set up a studio in Kingston in the Gas Office Building. The studio did not last long and the Sawyers returned to Montreal in the same year. The Sawyers remained in Montreal until 1855 when Sawyer, likely due to Eliza's desire to be close to her family, permanently relocated in Kingston. Although settled in Kingston, Sawyer continued to work as an itinerant artist travelling along the north and south shores of Lake Ontario. Having some level of success during this time allowed Sawyer to travel to Europe in 1862 where he was able to view the work of some important portrait artists in Scotland, England, France, and Belgium.
Upon his return Sawyer divided his time between Kingston and Montreal. In Montreal he partnered with Edwin R. Turner in an Art and Photographic Studio, acting as both a painter and a photographer. In 1863 Sawyers reputation brought him a commission to paint a portrait of John A. Macdonald for the Kingston city hall , where several of his portraits of mayors were already hanging. His commissions extended to three speakers of the Senate, who engaged him to paint their portraits for the Library of Parliament, and to Sir William Edmond Logan, William Molson, Charles Tupper, and William Workman, as well as to senators Frank Smith and Robert Duncan Wilmot.
William Sawyer continued to be an active photographer, painter, and promoter of his work, until his death at age 69, in Kingston on December 9, 1889. Sawyer was survived by his wife, six sons and three daughters.
Historial de custodia
Alcance y contenido
The fonds consists of records created over 150 years by William Sawyer and his descendants. Predominantly the fonds is comprised of photographs, artwork, notes and prints that were created and received by William Sawyer in his role as photographer and portrait painter. Also included is documentation surrounding his career and activities that was gathered, or transcribed, by two generations of his descendants in their research and commemoration of his life and work. The fonds has been divided into three series: Agnes Etherington Art Centre exhibition; Marion Wallace material; and William Sawyer material.
Área de notas
Condiciones físicas
Some photographs are in fragile condition.
Origen del ingreso
Donated to the Agnes Etherington Art Centre and Queen's University Archives by Ms. Marion Wallace in 2001; and by W.D. Sawyer and J. Mouldey in 2006.
Arreglo
The arrangement of this fonds has been imposed by the archivist. The material has been arranged and rearranged during its existence in a number of different systems given the use to which it was being put, i.e. exhibition, familial commemoration, etc. No original order could be discerned, and there was some intermingling of contemporary family material with original William Sawyer material and vice versa. The current arrangement was decided upon for sake of convenience and with the hope of reflecting this history.
Idioma del material
- inglés
Escritura del material
Ubicación de los originales
2054
F3 D15
F3 D10
(302) Map 68
Disponibilidad de otros formatos
Restricciones de acceso
Open
Condiciones de uso, reproducción, y publicación
None
Instrumentos de descripción
Materiales asociados
Portraits by Sawyer are held in Kingston, Ont., at the City Hall and at the Agnes Etherington Art Centre at Queens University; in Ottawa in the National Gallery of Canada, the Library and Archives of Canada, and the Parliament Buildings; in Hamilton, Ont., in the Art Gallery of Hamilton; in the Montreal Museum of Fine Arts; in the Winnipeg Art Gallery; and in private collections.
Acumulaciones
Further accruals are expected